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Then the second pass is done according to the findings of the first pass.
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With two-pass, the encoder makes a pass over the content to analyze and see which areas need to have a higher bitrate allocated to them. Two-pass can improve quality, but I think that the improvement is overrated by many people. 2.5 should be fine for most material, and higher settings (which can slow down rendering significantly) should be reserved for problematic content. But in most cases it should be able to find those things without needing to take all of the allowed time. A simplified explanation is that this setting works on a threshold basis, telling the encoder how far to look for certain things it needs to find. In many cases a quality setting of 2.5 will give the same results as a higher setting. For technical information about the MPEG format, see this MPEG General FAQ.See also the thread “ PPro 1.5 mpeg encoding errors ”.
#CONVERT FLV FILES TO USE IN PREMIER PRO PRO#
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Some people experience no problem editing MPEG clips in Premiere Pro, while others are not so fortunate.
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